“The nagual is the part of us which we do not deal with at all ... At the time of birth, and for a while after, we are all nagual. We sense, then that in order to function we need a counterpart to what we have. The tonal is missing and that gives us, from the very beginning, a feeling of incompleteness. Then the tonal starts to develop and it becomes utterly important to our functioning, so important that it opaques the shine of the nagual, it overwhelms it. From the moment we become all tonal we do nothing else but to increment that old feeling of incompleteness which accompanies us from the moment of our birth and whichs tells us constantly that there is another part to give us completeness”
Carlos Castaneda

Tales of Power

Christopher Alexander on Wabi to Sabi – Rusty Beauty

I am starting to feel a build up of “missing” excerpts … from the first phase of my reading Alexander (before I started excerpting) and from some things which didn’t feel “excerptable” … in this case roughness.

“… to get the perfect adaptation which is required by the unfolding of a field of centers, you cannot avoid a certain roughness in the results.  That is because, to make each center come to life, there needs to be give and take that permits the needed complex superposition of relationships… It is not possible to get perfection in the field of centers – true life – and also have the shallow mechanical perfection which 20th century people often seemed to demand of buildings.

In present day construction, especially in America, people in general – and contractors too – have become accustomed to buildings with an almost fanatical level of finish. For example, the tiles of a wall must be flat, square, co-planar, and equally spaced – all to within a few hundredths of an inch. They conform to a mechanical ideal of perfection. Why? Not for any practical reason.

Indeed, the attention needed to achieve this mechanical perfection drives out the possibility of paying attention to real perfection or real adaptation in the centers …

I believe this kind of things happened in the 20th century largely because the real meaning of order and beauty had been lost – and craftsmen therefore maintained their pride of workmanship by appealing to a meaningless perfection of detail.

… True spirituality in a building is achieved when there is a balance of perfection and roughness. It is the phenomenon which the Japanese call wabi-to-sabi: rusty beauty.

… What this amounts to is that we must always allow the essential thing to lead the inessential. We concentrate on the essential and let the inessential trail behind.

… The spirit is essential. It is in the nature of spirit to make a beautiful and special thing where a beautiful and special thing is required, and to offset it with a simple inexpensive thing. That is the most humble way to make it, and the beauty then shines out because of it.

… The field of centers cannot be created as a by-product of some existing process. It will come about only when the entire process of making is organized and concentrated on just this one thing: to create a living field. If you concentrate on something else, you get something else. “

Christopher Alexander – The Nature of Order – Book 3: A Vision of a Living World

 

Nature of Order - Table of Contents"