“I make but a simple statement of fact when I say that for years I was like on bound hand and foot to a log racing madly on a torrent, saved miraculously time after time from dashing to death against the many boulders projecting out of the swirling water on every side by just a narrow margin and in the nick of time, turning and twisting this way and that, as if guided by a marvelously quick and dexterous hand infallibly correct in its movement … At times I felt Instinctively that a life and death struggle was going on inside me in which I, the owner of the body, was entirely powerless to take part, forced to lie quietly and watch as a spectator the weird drama unfolded in my own flesh.”
Gopi Krishna

Kundalini – The Evolutionary Energy in Man

Out of Focus

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This is one of the first images I took deliberately out of focus. I went out numerous times to walk the streets of the rather dull suburbishcity in which I lived, with a camera in hand. I usually came back empty handed. I could see nothing. Then one day as I was walking up the main street facing the sunset I got an idea to go out of focus.

What a relief – suddenly I felt an interest arising in me – I was seeing so many new things. An overflow of disassociated details literally blurred into a whole that made sense. It changed from something I could not understand to something I could sense and experience. It shifted from my thinking mind into a realm of imagination.

[slidepress gallery=’jazz-concept—out-of-focus’]

The images below were taken as a preparation for an improvised performance. The performance was part of an art-exhibition opening event that celebrated the theme of ‘city’. I had an idea to prepare  visual materials, based on that theme, that we could then project during the performance to establish a landscape. I am not naturally curious or fond of city landscapes so I was faced with a challenge.

These images were taken during two excursions. One was close to home – in a rural-village landscape. The other was in ‘the big city’ Tel-Aviv. Again I found myself drifting towards the out-of-focus perspective. We did not use the images in the performance – and they have never been displayed. Until now.

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