“The range of what we think and is limited by what we fail to notice. And because we fail to notice that we fail to notice there is little we can do to change until we notice how failing to notice shapes our thoughts and deeds.”
R.D. Laing

Christopher Alexander on Gauguin’s Cow

After reading this, I invite you to repeat an experiment I did: do an online search for both pictures and see what you get!

“The cow is more basic still. This one is less knowing that Gauguin’s other works. When I saw it at Christie’s, the junior auctioneer told me it was a ‘very nice minor Gauguin,’ it will go below the estimate. Such a patronizing tone.

paul_guaguin_kneeling-cow

Paul Guaguin – Kneeling Cow

If we compare this picture with a great picture by Gauguin – Parahi te Marae, for example (The Sacred Mountain) … we find that the cow is more direct. The Sacred Mountain took work, it was a considered construction, carefully done, reaching a profound effect … But, to some tiny degree, Gauguin, without a doubt I think, was aware when he made Parahi te Marae, aware what he was trying to do, aware of the gallery in Paris where he was sending the painting …

Paul_Gauguin_parahi_te_marae

Paul Gauguin: Parahi te Marae (The Sacred Mountain)

But the cow is more innocent, perhaps more truly something that Gauguin liked … in this picture he was, I think, only trying to please himself. He drew and painted this cow for his own pleasure. It was what he saw, what he wanted, not so knowing – constructed, yes, but far more innocent.

It is even possible, I think, that Gauguin himself was slightly ashamed of this picture, just as my students were sometimes ashamed  of their greatest works, because they were too naive, too direct, too innocent … In my mind, this cow is a greater work, because it penetrates deeper, it has more grace, it is more that ultimate thing which Gauguin did to please himself.”

Christopher Alexander – The Nature of Order – Book 4: The Luminous Ground

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