“The ancient postulate of perennial philosophy - the inseparability of value and reality - is psychologized into the demand that reality must satisfy us; the denial of the necessity of this demand is followed by the exclusion from philosophy of most of its traditional problems and the "raising to the dignity of philosophy many trivial and often foolish questions"”
Wilbur Marshall Urban

The Intelligible World: Metaphysics and Value

Deep Beautiful Sadness

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I wasn’t very social as a kid, I didn’t like to travel with my family or schools, I didn’t go to parties, I wasn’t very happy. I was drastically misinformed and misformed. In my late teens and early twenties my misformation bloomed into a healthy depression. Depression got the world off my shoulders and I found a temporary peace and bliss. It wasn’t a pleasant place, but it was a major improvement on what I had before. The experience of that period of my life is bookmarked in my consciousness – I would sit with headpones on for hours listening to a loop of Sting’s album “The Soul Cages“. There was especially one song “The Wild Wild Sea” which became a meditative experience – I would get lost in it’s opening seconds and feel as if hours had gone by:

To this day listening to the album draws me inwards to a place of special sadness that envelops me in serenity and brings tears to my eyes.

Present day … I live so off the-grid that I didn’t know Sting had recently put out an album and is on tour (I used to be on the cutting edge of all things Sting : ). A few years ago I saw him in a disappointing concert in Israel and his recent years have been very desolate and uninspiring – so I went to check out the news with very low expectations. At first glance I saw a collaboration with a symphony orchestra and thought to myself “not again”. Then I switched to youtube and though the videos are of poor quality – it looks like something good has happened to Sting. Amongst the videos from recent performance I came across “Why Should I Cry For You” from “The Soul Cages” album:

… yes North has been true … and yet … sure enough there it was – that deep beautiful sadness. It was just one song – so I didn’t get to sink too far inside. Instead I had a chance to be with it and ask myself “Why was I sad? Why am I sad?”. I wasn’t sad because of where I was – I was in a comfortable place. I was sad because of the pressures to be somewhere else. I was sad because everyone seemed to be (sympathetically) blind to or denying what my senses told me about the world around me.

That hasn’t changed much. I have since been blessed with the presence of a few rare individual with whom I’ve shared a connection and view, with whom I’ve communicated in peace, with whom I’ve created. I have also been blessed with circumstances that granted me over recent years an opportunity to live in relative peace and isolation. An isolation that protectes me from a ferocious onslought of caring people who would gently but persistently erode my sense of truth.

20 years ago I was sad for myself, sad because the future seemed to hold an inevtiable, painful and purposeless existence. Today, feeling that I’ve been blessed with a rare freedom, I am sad for a world from which I am separated by an invisible wall. A world with which I wanted to share, a world it seems I am leaving behind – a remote world that some small part of me still longs for.

I wonder if this is what Buddhists mean when they dedicate their practices to all the living beings.

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